Most people consider that owning a Pentium IV has not only informational value but also protective value, seeing it as a kind of technological garlic that will drive all the evil spirits out of their lives. It's as if his very possession ensures that nothing bad or evil – no length, width or height, invisible, silent, odorless, or unbreakable with a hammer, can invade their little world.
Oh, but it can.
If the term "black magic" sounds too old-fashioned to you, then call "it" whatever you want. Search your memories for any strange and inexplicable incidents that have happened to you or your acquaintances, and the name will appear by itself. You will recognize him.
Imagine a smiling, healthy, joyful person with countless plans. She is settled in life, highly educated, perhaps emotionally unfulfilled (but who is?), modern, fascinated by the unique mystery of the daily rebirth of the sun. Then, by chance, he finds himself in the company of another person, perhaps for no more than a minute, and suddenly goes crazy. Goes crazy not in the sense of having to rescue her from the tallest tree in the city park, but in the sense of losing touch with her own consciousness so that she doesn't even understand what's happening to her.
She go crazy to the point that her will and mental functions are repressed and almost extinguished. It has a body, emotions, a bit of semi-consciousness, and that's pretty much it. She feels that something is happening to her, something bad, coming from outside, but she doesn't know what. Maybe the last sparks of consciousness will hint at magic, but… "No, it's not that," he shook his head, looking at his Pentium IV. Magic doesn't exist.
Existence or not, she feels worse and worse. He feels parts of their being die and disappear, frightened by something that overshadows their consciousness, as if something or someone is slowly and carefully uprooting what makes she human. And it hurts – more and more, until it's unbearable, and they're desperate for something to ease the pain.
In answer to her prayer, as a relief from the agony, pleasant images suddenly flood her mind, offering hope that it will soon end.
Maybe it will be a flight. She feel that have the body of a bird, that have always been a bird - she feel the wings, their strength, the tail, each individual feather, the smell of the wind calling her to fly. A short takeoff, and she glide through the air, leaving behind pain, suffering, resistance, struggle. And as the land approaches with incredible speed, her being pulses with the long-awaited peace of surrender.
This is one possible, though not inevitable, brief description of the effect of magic. Not all suicides are caused by it. Not all, no - but many, yes.
Mental Disorders
Although a broad term, mental disorders and diseases include changes in a person's psyche where they lose the ability to perceive themselves and the world realistically, although their intellect often remains intact.
The cause is usually genetic predisposition, organic changes in the brain, emotionally stressful life situations, where age plays a significant role, especially in later life. Although the spectrum of mental illnesses is wide, the most common manifestations are psychopathic changes, schizophrenia and manic-depressive states.
Mild forms can be dormant for years before a specific life situation awakens them. Severe forms are controlled with drugs, while long-term recoveries are unpredictable and rare.
Symptoms of magical influence
Symptoms arising from magical influence closely resemble those of mental illness.
The magician violently pierces the victim's aura, directly affecting their health, behavior, thinking and perception. Essentially, it connects to the victim's energy system, suppressing their will and consciousness in order to take control. Violent intrusion always disrupts the aura or protective network on the chakras (depending on the type and location of the intrusion). In addition to the magician's commands, the victim's consciousness is penetrated by random vibrations from others - voices, thoughts, visions - which he cannot stop or "exorcise".
The dominant horror is complete helplessness and lack of control over one's own mind. Against their will, the victim is completely trapped, forced to obsessively think about the magician "24/7", sometimes for months or years, degrading into a mental marionette devoid of will and self-awareness.
Often such a person says that the voices in his head order him to commit acts, mostly murder (or suicide), and after the act, the voices disappear, restoring the lost peace (!).
Every thought or emotion we constantly produce and send out expands like a bubble, touching the auras of all people on Earth, reaching the "edge" of the universe at the speed of thought. Imagine diving into the ocean of thoughts and emotions of 6.5 billion people every day! Without a healthy, impenetrable aura, you'd go crazy, crushed by that cacophony!
Magic in Action
The magician works primarily in two ways:
1. By visualizing the victim, using rituals designed for that purpose, channeling the energy gathered by the visualization into a programmed image - for attraction, binding, disease, death - and sending it to the victim. Contact can be direct or through tangible connections: photos, clothes, blood, hair, nails...
Despite the physical distance, this magic can be devastatingly deadly.
2. By projecting consciousness close to the victim, merging with their aura to impose on the magician's mind, forcing to change behavior.The magician usually projects a film - a reused script with a high energy charge, automatically affecting the victim.
The film is only shown when the victim is exhausted, representing the necessary "peace" phase.
One scenario:
"Long ago two tribes were at war, but despite their hatred, a young man and a girl from opposing tribes fell in love. They met secretly in a maple grove. One day, the girl's father arrived, pierced his daughter with a spear - but the young man took the blow, dying in her arms. His last wish? To become a flower - a rose, as a final gift to her. Thus the rose symbolizes eternal love."
Any sane person would laugh at this melodrama. But the victim is not healthy - his mind has been replaced by a script/movie/reality projected by the magician.
The film repeats itself until the victim fulfills the script – here, giving a rose (to himself).
A simple gesture becomes the key, making the victim willingly surrender their life energy – the real target of the attack. The "prayer to God" is key, as the victim asks the higher powers to "help" her become a flower. Paradoxically, this stage feels liberating.
This is one scenario; others are tailored to specific goals. Most are inherited from magical groups, making their use simple for trained practitioners. Don't underestimate them for their banality, they are designed to slip through the subconscious, because the conscious mind would reject such nonsense.
This text has only scratched the surface of the magic and we hope you never experience it. Magic isn't just about witch tales - it's the art of cunningly harming others.
Therefore, if you meet someone talking about "magical things", turn off your Pentium IV for a moment and listen to them. Magic exists.
Oliver
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22 MAGIJA
Većina ljudi veruje da posedovanje Pentiuma IV nema samo informativnu već i zaštitnu vrednost, gledajući na njega kao na neku vrstu tehnološkog belog luka koji će oterati sve zle duhove iz njihovih života. Kao da samo njegovo posedovanje osigurava da ništa loše ili zlo – što nema dužinu, širinu ili visinu, nevidljivo, nečujno, bez mirisa, ili nesalomivo čekićem, ne može da napadne njihov mali svet.
O, ali može.
Ako vam termin „crna magija“ zvuči previše staromodno, onda „to“ nazovite kako god želite. Pretražite svoja sećanja na sve čudne i neobjašnjive incidente koji su se desili vama ili vašim poznanicima, i ime će se pojaviti samo od sebe. Prepoznaćete ga.
Zamislite nasmejanu, zdravu, radosnu osobu sa bezbroj planova. Sređena je u životu, visoko obrazovana, možda emocionalno neispunjena (ali ko jeste?), moderna, opčinjena jedinstvenom misterijom svakodnevnog ponovnog rađanja sunca. Zatim se, slučajno, nađe u društvu druge osobe, možda ne duže od minuta, i iznenada poludi. Poludi ne u smislu da biste morali da je spasavate sa najvišeg drveta u gradskom parku, već u smislu gubitka kontakta sa sopstvenom svešću, tako da čak ni ne razume šta joj se dešava.
Poludi do te mere da su joj volja i mentalne funkcije potisnute i skoro ugašene. Poseduje telo, emocije, delić polusvesti, i to je skoro sve. Oseća da joj se nešto dešava, nešto loše, što dolazi spolja, ali ne zna šta. Možda će poslednje iskre svesti nagovestiti magiju, ali… „Ne, to nije to“, odmahnuće glavom, pogledavši svoj Pentium IV. Magija ne postoji.
Postoji ili ne, ona se oseća sve gore i gore. Oseća kako delovi njihovog bića odumiru i nestaju, uplašeni nečim što zasenjuje njihovu svest, kao da nešto ili neko polako i pažljivo čupa koren onoga što ih čini ljudima. I boli – sve više i više – dok ne postane nepodnošljivo, i očajnički traže nešto da ublaže bol.
Kao odgovor na njihovu molitvu, kao olakšanje od agonije, prijatne slike iznenada preplavljuju njihov um, nudeći nadu da će se uskoro završiti.
Možda će to biti let. Osećaju da imaju telo ptice, da su oduvek bili ptica – osećaju krila, njihovu snagu, rep, svako pero pojedinačno, miris vetra koji ih zove da polete. Kratko poletanje, i klize kroz vazduh, ostavljajući za sobom bol, patnju, otpor, borbu. I dok se zemlja neverovatnom brzinom približava, njihovo biće pulsira dugo očekivanim mirom predaje.
Ovo je jedan mogući, mada ne i neizbežan, kratak opis efekta magije. Nisu sva samoubistva uzrokovana njome. Nisu sva, ne – ali mnoga, da.
Mentalni poremećaji
Iako širok pojam, mentalni poremećaji i bolesti obuhvataju promene u psihi osobe gde gube sposobnost da sebe i svet percipiraju realistično, mada njihov intelekt često ostaje netaknut.
Uzrok je obično genetska predispozicija, organske promene na mozgu, emocionalno stresne životne situacije, pri čemu starost igra značajnu ulogu, posebno u kasnijem životu. Iako je spektar mentalnih bolesti širok, najčešće manifestacije su psihopatske promene, šizofrenija i manično-depresivna stanja.
Blagi oblici mogu godinama mirovati pre nego što ih specifična životna situacija probudi. Teški oblici se suzbijaju lekovima, dok su dugoročni oporavci nepredvidivi i retki.
Simptomi magijskog uticaja
Simptomi koji proizlaze iz magijskog uticaja blisko podsećaju na simptome mentalnih bolesti.
Magičar nasilno probija žrtvinu auru, direktno utičući na njeno zdravlje, ponašanje, razmišljanje i percepciju. U suštini, povezuje se sa žrtvinim energetskim sistemom, potiskujući njenu volju i svest kako bi preuzeo kontrolu. Nasilna intruzija uvek narušava auru ili zaštitnu mrežu na čakrama (u zavisnosti od tipa i lokacije intruzije). U žrtvinu svest, pored magičarevih komandi, prodiru nasumične vibracije od drugih – glasovi, misli, vizije – koje ne može da zaustavi ili „istera“.
Dominantni užas je potpuna bespomoćnost i nedostatak kontrole nad sopstvenim umom. Protiv svoje volje, žrtva je potpuno zarobljena, prisiljena da opsesivno razmišlja o magičaru „24/7“, ponekad mesecima ili godinama, degradirajući u mentalnu marionetu lišenu volje i samosvesti.
Često takva osoba kaže da joj glasovi u glavi naređuju da počini dela, uglavnom ubistvo (ili samoubistvo), a nakon dela, glasovi nestaju, vraćajući izgubljeni mir (!).
Svaka misao ili emocija koju neprestano proizvodimo i šaljemo širi se poput mehura, dodirujući aure svih ljudi na Zemlji, dostižući „ivicu“ univerzuma brzinom misli. Zamislite da svakodnevno zaranjate u okean misli i emocija od 6,5 milijardi ljudi! Bez zdrave, neprobojne aure, poludeli biste, smrvljeni tom kakofonijom!
Magija na Delu
Magičar deluje prvenstveno na dva načina:
1. Vizualizacijom žrtve, koristeći rituale dizajnirane za tu svrhu, usmeravajući energiju prikupljenu vizualizacijom u programiranu sliku – za privlačenje, vezivanje, bolest, smrt – i šaljući je žrtvi. Kontakt može biti direktan ili putem opipljivih veza: fotografija, odeće, krvi, kose, noktiju…
Uprkos fizičkoj udaljenosti, ova magija može biti razorno smrtonosna.
2. Projektovanjem svesti blizu žrtve, spajajući se sa njenom aurom kako bi nametnuo magičarev um, prisiljavajući adaptaciju. Magičar obično projektuje film – ponovo korišćen scenario sa visokim energetskim nabojem, automatski utičući na žrtvu.
Film se prikazuje samo kada je žrtva iscrpljena, predstavljajući neophodnu fazu „mira“.
Jedan scenario:
„U davna vremena, dva plemena ratovala su, ali uprkos mržnji, mladić i devojka iz suprotstavljenih plemena zaljubili su se. Tajno su se sastajali u javorovom gaju. Jednog dana, devojčin otac je stigao, kopljem probio svoju ćerku – ali mladić je primio udarac, umirući u njenom naručju. Njegova poslednja želja? Da postane cvet – ruža, kao poslednji pozdrav svojoj dragoj. Od tada ruža simbolizuje večnu ljubav.“
Svaka zdrava osoba bi se smejala ovoj melodrami. Ali žrtva nije zdrava – njen um je zamenjen scenarijem/filmom/stvarnošću koju projektuje magičar.
Film se ponavlja dok žrtva ne ispuni scenario – ovde, darivanje ruže (sebe).
Jednostavan gest postaje ključ, čineći da žrtva voljno preda svoju životnu energiju – pravi cilj napada. „Molitva Bogu“ je ključna, jer žrtva traži od viših sila da joj „pomognu“ da postane cvet. Paradoksalno, ova faza se oseća oslobađajuće.
Ovo je jedan scenario; drugi su prilagođeni сpecifičnim ciljevima. Većina je nasleđena od magijskih grupa, čineći njihovu upotrebu jednostavnom za obučene praktičare. Ne podcenjujte ih zbog njihove banalnosti, tako su kreirane da se provuku kroz podsvest, jer bi svesni um odbacio takve besmislice.
Ovaj tekst samo je zagrebao površinu magije i nadamo se da je nikada nećete iskusiti. Magija nisu samo priče o vešticama – to je umetnost lukavog nanošenja štete drugima.
Stoga, ako sretnete nekoga ko govori o „magijskim stvarima“, isključite na trenutak svoj Pentium IV i saslušajte ga.
Magija postoji.
Oliver
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