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• Episode Name:
  Let the Games Begin
• Air date:
  8/26/2013
• Summary:
  While Barbie is involved with a secret fight club, Junior is promoted to full-duty police officer and Julie finds out about Peter's past.

In fact, ‘The Fourth Hand’ actually does a fairly decent job handling the initial introduction of Zea as the drug dealing Max. With all the talk of the dome disturbing people and making them say things like “stop talking to me, dome!” or prone to seizures or visions of prophetic teenaged “apparitions,” the moment Big Jim walks into his house to find a hazy, slightly out of focus figure standing there feels a lot like Big Jim may have just lost his mind. It’s a nice bit of misdirection that may have been somewhat slight, but it manages to put the viewer off balance for a moment. Of course, most of the energy in that instant has to do with Dean Norris’ reaction (for anyone who’s watching Under the Dome and Breaking Bad, it’s not difficult to see just how much more raw emotion and crackling energy Norris is capable of bringing to this performance), and for a brief moment you wonder if this woman standing before him is an apparition of his late wife.

Naturally, this is not the case and Max is actually there to shed some light on Big Jim’s criminal endeavors – which include the stockpiling of propane and Reverend Coggins’ one-stop body-and -soul shop that was also a great to score a fairly nasty drug called Rapture – as well as tie Barbie to the mix, as his employer and the only person logical enough to tie him to Peter Shumway’s disappearance. All of this works well enough as a smokescreen that Max’s excuse she was hiding out in an unoccupied house for eight days becomes only slightly less bothersome than the idea that a small farming community’s population could be so easily talked into handing over their handguns, hunting rifles and laser-sighted assault weapons for a few more rations of food and an extra bottle of propane.

Still, it’s good to see the writers beginning to address more of the specifics of Big Jim’s undertaking, as well as once more shining the spotlight on the secret Barbie’s been hoping to keep from everyone – especially Julia. But these are things that need to be spelled out, inasmuch as ‘The Fourth Hand’ actually does spell them out; they’re plot threads that’ve basically gone untouched since the first few episodes, and with all that’s developed since, the notion that Under the Dome would just drop them, or pick them up again in a later season wouldn’t have been too far fetched.

Again, these are plot points that needed some clarification and although Zea’s Max ultimately works to be little more than a bridge between two characters who are quickly moving to opposite ends of the archetypal spectrum, at least the dialogue between them didn’t require a constant reiteration of plot developments or just how long it’s been since someone died or since the dome went up. It’s understandable that the characters reference the passage of time, since the longer they’re trapped the more dire their circumstances become, but when Norrie solemnly states “I can’t believe she was alive just two days ago,” in reference to her mother’s untimely passing or Julia asks a frantic Angie “what do you mean you had a seizure?” it becomes a chore to want to stay invested in characters who talk like they’re afraid the slightest hint of subtlety will forever lose them their audience.