I. Texture
Texture is one of the most important elements in design. Texture is a characteristic of the surface of an object, such as smooth, rough, etc. The materials used in the art of flower arrangement are plants. Plants have various textures such as rigidity, softness, roughness and softness插花班.
There are significant differences in texture between wild awnings and flowers in greenhouses and between dryland alpine and aquatic shade plants due to the different growing environments低成本創業.
The style and taste of the inserted pieces differ when different floral arrangement materials are chosen.
In addition to developing a natural Chinese texture, floral materials can also exhibit a special texture when processed by hand.
If the rough bark is peeled off, smooth branches will appear, fresh leaves will become stiff and rough after drying, bamboo has a smooth surface, and the cross section of bamboo after sawing is a rough fiber cross section.
Different parts of the same flowering material will have different textures, such as wheat ears with rough surface and straw with smooth and greasy surface. Therefore, it is necessary to carefully observe and master the textural characteristics of various flowering materials and use them flexibly.
Flower arrangement works are expressed in the texture of flowers and mutual coordination, producing a natural smooth effect, with inappropriate is far-fetched, unnatural beauty.
Such as pine branches with chrysanthemums than with carnations coordination, alpine dryland plants with aquatic animals and plants can not be coordinated, this is a natural style flower arrangement design requires us to comply with the law.
In addition, our modern floral design sometimes takes the expression of texture as the main body, through the analysis of the contrast of different textures can produce a strong visual art effect, which is also another way of expression.
Second, the form
The "form" is the basic shape of the flower material, while the "state" is the posture. The basic form of the shape is composed of points, lines and surfaces. Smaller flower materials can be considered as a point, such as small chrysanthemums, sky stars, or some small leaves, and multiple points gathered can be connected into a line, or even surfaces and groups. In large works, roses and carnations can be considered as dots.
In general, the leaves are wider and can be regarded as flat, bamboo leaves, green radish, spring flower feathers are more common, some have a flat surface, some have folds, undulations or cracks on the surface, different shapes, and work on the flat surface. Or curling or folding, tearing and other various techniques will make it deformed and produce unexpected effects.
Linear floral materials can make the shape of flowers tall and straight, extended, diffuse or elegant, producing a variety of beautiful gestures and spaces, so the traditional oriental flower arrangement style pays great attention to the expression of lines, and modern flower arrangement cannot be separated from lines. There is a wide variety of herbaceous plants, such as Acorus calamus, tuberose, etc.
Wooden flowers are more, almost all branches can be regarded as silk, the most common are various willow branches, mulberry branches, pine branches, bamboo osmanthus, tea flowers, etc.. Leaf material also has many lines, such as onion, New Zealand hemp, sunflower cores, etc..
Many floral materials can be used as both points and lines or surfaces. Such as birds of paradise, scattered tail sunflowers, soda and other foliage materials, the front for the face, side rows, often showing people more moving than the face, more beautiful.
Therefore, when arranging flowers, it is necessary to examine the floral materials from different angles to show their different forms. Flower arrangers need to be familiar not only with the natural forms of various floral materials, but also to modify them as needed to create the forms they need.
Through techniques such as trimming, tearing, curling, coiling, bending, and tying, the original image of the floral material is altered to meet the needs of the creation.
Morphological work is not only a composition of different forms of expression, but also a medium for the cultural connotation of the students' works. The mood of the work can be expressed through the image composed of flower materials and floral vessels, and the integration of image and mood can produce a strong art education effect.
In the most creative works, the most typical feature is not the type of flowers and foliage, but how they are used.
Creativity can find beauty in the simplest and most common flowers, plants and leaves in nature. Although the material is the same, it can produce infinite creativity with different effects.
III. Color
Color is an important element of beauty, and Western flower arrangement especially emphasizes the use of color. The flower material itself is rich in color, but how to match it to be harmonious and pleasing to the eye requires some common sense of color.
(a) the composition of color color has "non-color" and "color".
(2) color is rich in cultural symbolism, it has warm and cold, near and far, light and heavy degree and the performance of students' emotions to function.
(3) The combination of colors together, not necessarily beautiful, poorly matched, but annoying. The color of the work should not be too mixed, color matching should not only consider the color of the flower material, but also the color and tone of the flower instruments used and the surrounding environment, only in harmony with each other to produce a beautiful visual effect.
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