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DISC INFO:
Disc Title:     Smiles of a Summer Night
Disc Label:     D01-CC#237-Smiles.Of.A.Summer.Night.1955-(aka-Sommarnattens.Leende)
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Ingmar Bergman’s Cinema
First printing sold out! We’re making more as fast as we can and expect to be back in stock in February 2019. Preorder now to reserve a copy.

In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman explored these subjects in films ranging from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

Arranged as a film festival with opening and closing nights bookending double features and centerpieces, this selection spans six decades and thirty-nine films—including such celebrated classics as The Seventh Seal, Persona, and Fanny and Alexander alongside previously unavailable works like Dreams, The Rite, and Brink of Life. Accompanied by a 248-page book with essays on each program, as well as by more than thirty hours of supplemental features, Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike.
==============================================

After fifteen films that received mostly local acclaim, the comedy Smiles of a Summer Night at last ushered in an international audience for Ingmar Bergman. In turn-of-the-century Sweden, four men and four women attempt to navigate the laws of attraction. During a weekend in the country, the women collude to force the men’s hands in matters of the heart, exposing their pretensions and insecurities along the way. Chock-full of flirtatious propositions and sharp witticisms delivered by such Swedish screen legends as Gunnar Björnstrand and Harriet Andersson, Smiles of a Summer Night is one of cinema’s great erotic comedies.

Film Info
Ingmar Bergman
Sweden
1955
109 minutes
Black & White
1.33:1
Swedish
Spine #237

Special Features
* New, restored high-definition digital transfer, with uncompressed monaural soundtrack on the Blu-ray edition
* New video introduction to the film by director Ingmar Bergman
* New video conversation between Bergman scholar Peter Cowie and writer Jörn Donner, executive producer of Fanny and Alexander
* Original theatrical trailer
* New English subtitle translation
* PLUS: A booklet featuring a new essay by theater and film critic John Simon and a 1961 review by film critic Pauline Kael
* New cover by Eric Skillman

 

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DISC INFO:
Disc Title:     CRISIS / A SHIP TO INDIA
Disc Label:     D02-CC#xxx-Crisis.1946-(aka-Kris)-&-CC#xxx-A.Ship.To.India.1947
Disc Size:      49,571,435,814 bytes
Protection:     AACS
Extras:         BD-Java
BDInfo:         0.7.5.3

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Ingmar Bergman’s Cinema
First printing sold out! We’re making more as fast as we can and expect to be back in stock in February 2019. Preorder now to reserve a copy.

In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman explored these subjects in films ranging from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

Arranged as a film festival with opening and closing nights bookending double features and centerpieces, this selection spans six decades and thirty-nine films—including such celebrated classics as The Seventh Seal, Persona, and Fanny and Alexander alongside previously unavailable works like Dreams, The Rite, and Brink of Life. Accompanied by a 248-page book with essays on each program, as well as by more than thirty hours of supplemental features, Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike.
==============================================

With his very first film as a director, made under the mentorship of the silent-film maestro Victor Sjöström, Ingmar Bergman began exploring a couple of the essential themes of his early period: youth pitted against crass society and the tensions between men and women. The eighteen-year-old Nelly (Inga Landgré), who lives with her foster mother in a quiet provincial town, is shaken by the sudden arrival of her birth mother (Marianne Löfgren), who eventually takes her to Stockholm—where Nelly receives a crash course in corruption and wrenching heartbreak. Crisis proved that Bergman had an incipient gift for developing characters and evoking atmosphere on-screen.

Film Info
Ingmar Bergman
Sweden
1946
93 minutes
Black & White
1.33:1
Swedish

The hunchbacked sailor Johannes (Birger Malmsten) longs to escape his home on a salvage ship helmed by his cruel, drunken father (Holger Löwenadler)—and so does the captain himself, who is slowly going blind and planning to leave his wife and son for a music-hall performer named Sally (Gertrud Fridh). The family begins to unravel when the captain invites Sally to live on the ship, where she and Johannes form a tender connection. Told in flashback and inspired in part by French poetic realism, A Ship to India marks a major evolution in Ingmar Bergman’s early filmmaking, demonstrating his gifts as a conjurer of beguiling images and a dramatist of lacerating emotions.

Film Info
Ingmar Bergman
Sweden
1947
95 minutes
1.37:1

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DISC INFO:
Disc Title:     WILD STRAWBERRIES
Disc Label:     D03-CC#139-Wild.Strawberries.1957
Disc Size:      46,706,404,597 bytes
Protection:     AACS
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BDInfo:         0.7.5.3

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Ingmar Bergman’s Cinema
First printing sold out! We’re making more as fast as we can and expect to be back in stock in February 2019. Preorder now to reserve a copy.

In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman explored these subjects in films ranging from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

Arranged as a film festival with opening and closing nights bookending double features and centerpieces, this selection spans six decades and thirty-nine films—including such celebrated classics as The Seventh Seal, Persona, and Fanny and Alexander alongside previously unavailable works like Dreams, The Rite, and Brink of Life. Accompanied by a 248-page book with essays on each program, as well as by more than thirty hours of supplemental features, Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike.
==============================================

Traveling to accept an honorary degree, Professor Isak Borg—masterfully played by the veteran filmmaker and actor Victor Sjöström—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death. Through flashbacks and fantasies, dreams and nightmares, Wild Strawberries dramatizes one man’s remarkable voyage of self-discovery. This richly humane masterpiece, full of iconic imagery, is one of Ingmar Bergman’s most widely acclaimed and influential films.

Film Info
Ingmar Bergman
Sweden
1957
92 minutes
Black & White
1.33:1
Swedish
Spine #139

SPECIAL EDITION FEATURES
* Digital film transfer, newly restored and with uncompressed monaural soundtrack on the Blu-ray edition
* Audio commentary featuring film scholar Peter Cowie
* Introduction by director Ingmar Bergman (Blu-ray only)
* Ingmar Bergman on Life and Work, a ninety-minute documentary by filmmaker and author Jörn Donner
* Behind-the-scenes footage shot by Bergman (Blu-ray only)
* Stills gallery, featuring rare behind-the-scenes photos (DVD only)
* PLUS: A new essay by Peter Cowie on the DVD edition and a booklet featuring a new essay by film writer Mark Le Fanu on the Blu-ray edition
* New cover by Christine Ditrio

*********************************

DISC INFO:
Disc Title:     TO JOY / SUMMER INTERLUDE
Disc Label:     D04-CC#xxx-To.Joy.1950-(aka-Till.Glädje)-&-CC613-Summer.Interlude.1951-(aka-Sommarlek)
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Ingmar Bergman’s Cinema
First printing sold out! We’re making more as fast as we can and expect to be back in stock in February 2019. Preorder now to reserve a copy.

In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman explored these subjects in films ranging from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

Arranged as a film festival with opening and closing nights bookending double features and centerpieces, this selection spans six decades and thirty-nine films—including such celebrated classics as The Seventh Seal, Persona, and Fanny and Alexander alongside previously unavailable works like Dreams, The Rite, and Brink of Life. Accompanied by a 248-page book with essays on each program, as well as by more than thirty hours of supplemental features, Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike.
==============================================

Taking its title from Friedrich Schiller’s “Ode to Joy,” adapted by Beethoven for his Ninth Symphony, this tragic romance opens with a violinist, Stig (Stig Olin), learning of the sudden death of his wife, Marta (Maj-Britt Nilsson). During a prolonged flashback, Stig remembers the delights and tribulations of their relationship, back to their early days in the orchestra conducted by the eminent Sönderby (Victor Sjöström), a time when Stig was riddled with self-doubt. An undeniably personal work for Ingmar Bergman, To Joy is a compelling tale of a young man’s struggle with the demons standing in the way of his happiness.

Film Info
Ingmar Bergman
Sweden
1950
99 minutes
Black & White
1.33:1
Swedish

Touching on many of the themes that would define the rest of his career—isolation, performance, the inescapability of the past— Ingmar Bergman’s tenth film was a gentle drift toward true mastery. Maj-Britt Nilsson beguiles as an accomplished ballet dancer haunted by her tragic youthful affair with a shy, handsome student (Birger Malmsten). Her memories of the sunny, rocky shores of Stockholm’s outer archipelago mingle with scenes from her gloomy present at the theater where she performs. A film that the director considered a creative turning point, Summer Interlude is a reverie about life and death that unites Bergman’s love of theater and cinema.

Film Info
Ingmar Bergman
Sweden
1951
96 minutes
Black & White
1.37:1
Swedish
Spine #613

Special Features
* New digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition
* New English subtitle translation
* PLUS: A booklet featuring a new essay by film scholar Peter Cowie
* New cover by Sarah Habibi

*******************

DISC INFO:
Disc Title:     SUMMER WITH MONIKA
Disc Label:     D05-CC#614-Summer.With.Monika.1953
Disc Size:      45,174,542,333 bytes
Protection:     AACS
Extras:         BD-Java
BDInfo:         0.7.5.3

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Ingmar Bergman’s Cinema
First printing sold out! We’re making more as fast as we can and expect to be back in stock in February 2019. Preorder now to reserve a copy.

In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. The struggles of faith and morality, the nature of dreams, and the agonies and ecstasies of human relationships—Bergman explored these subjects in films ranging from comedies whose lightness and complexity belie their brooding hearts to groundbreaking formal experiments and excruciatingly intimate explorations of family life.

Arranged as a film festival with opening and closing nights bookending double features and centerpieces, this selection spans six decades and thirty-nine films—including such celebrated classics as The Seventh Seal, Persona, and Fanny and Alexander alongside previously unavailable works like Dreams, The Rite, and Brink of Life. Accompanied by a 248-page book with essays on each program, as well as by more than thirty hours of supplemental features, Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike.
==============================================

Inspired by the earthy eroticism of Harriet Andersson, in the first of many roles for him, Ingmar Bergman turned in this work of stunning maturity, a sensual and ravaging tale of young love. A girl (Andersson) and boy (Lars Ekborg) from working-class families in Stockholm run away from home to spend a secluded, romantic summer at the beach. Inevitably, it is not long before the pair are forced to return to reality. Although Summer with Monika was initially quietly received, its reputation gathered steam throughout the 1950s, and it became an international sensation.

Film Info
Ingmar Bergman
Sweden
1953
97 minutes
Black & White
1.37:1
Swedish
Spine #614

Special Features
* New digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition
* Introduction by director Ingmar Bergman
* New interview with actress Harriet Andersson, conducted by film scholar Peter Cowie
* New interview with film scholar Eric Schaefer about Kroger Babb and his distribution of Monika, the Story of a Bad Girl! as an exploitation film
* Images from the Playground, a half-hour documentary by Stig Björkman featuring behind-the-scenes footage shot by Bergman, archival audio interviews with Bergman, and new interviews with actresses Bibi Andersson and Harriet Andersson
* Trailer
* New English subtitle translation
* PLUS: A booklet featuring a new essay by film scholar Laura Hubner, a 1958 review by filmmaker Jean-Luc Godard, and a publicity piece from 1953 in which Bergman interviews himself
   New cover by Sarah Habibi