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I am going to discuss the scene between 1:25:20 to 1:27:52 of the movie Ringu, which describes how Ryuji Takayama is killed by Tomoko. First of all, a close-up of Ryuji is shown when he is writing something on the paper that infers the time is probably at night, then the shot switches to a medium long shot so that the audience could have more information of the house. The mise-en-scene here is quite psychologically planned: the time setting is at dawn or so; the curtain is shut, and the room is pretty dim, Ryuji is writing something. There is no any other sound except the pencil dancing on the paper. Obviously, there is only one person in the house. Therefore, a dead atmosphere is created. Suddenly, the shot switches to the back of Ryuji with a short focal length, as if someone is staring at him. Logically, this medium close shot leads the audience to the psychological changes of whom from being relaxed to being nervous by learning that Tomoko might come back.
When Ryuji turns around, the shot comes to the TV, which is on instead of being off right in the very dark corner. In this way, a creepier feeling is created by the mise-en-scene and the acting of the hero. More specifically, it is just the well which they who? go and find Tomoko’s skeleton in the TV. The design of the TV and what it shows is quite in accordance with the previous plot of the well and the skeleton, which recalls the audience’s feeling of being nervous and horror once again. When Ryuji looks at the TV, the rapid switches of the shots show the communication and connection of different shots. Also, the close-ups among those shots imply the further development of the plot and enhances the effects of the horrible atmosphere. What is more, when Ryuji hears the squeak noise, he turns around all of a sudden with a strong inhale so that the audience could hear the sound clearly. This little movement of Ryuji and the close-up of his expression imply the intense atmosphere and the upset mind of his. Also, when the audience focuses on the plot, they could be frightened at the time Ryuji is frightened. In this way, the effect of horror is being created. When Ryuji comes to the TV before the audience can see Tomoko, the signal is stable, however, when Tomoko climbs from the well, the signal is interrupted with several screen flicker. The arrangement of the combination of those plot here further increases the audience’s tensity.
Another close-up of Tomoko is shown when she is walking closer and closer with a pure white gown, which reminds the audience that only dead people or some spirits dress like that. Her hair covers her head completely suggesting she is not a human being. These arrangements cultivate a stronger sense of horror. When the shot switches to Ryuji, the close-ups of his reacting, including his body language and his brief monolog “what,” fully reveal his horror. Then another close-up shows that Tomoko is getting closer and closer, an unexpected ringing of the telephone destroys his psychological line of defense.
The plots are tight and logically connected, which ensure the audience focusing on the plots. Ryuji tries to run away, but he cannot. On one hand, Ryuji believes the curse is removed when they resettle Tomato’s skeleton. With no psychological preparation, he becomes rigid and terrified When Tomoko comes to him. On the other hand, such super power usually has special power which the human being cannot resist. The background music is also very important when Tomoko climbs out from the TV, which is absolutely an unexpected scene for anyone. The details about her hair covering her face and the close-up shot of the blood-stained fingernails both gives the audience a very strong feeling of fear. When Ryuji lays on the ground, the close-up of Tomoko’s horrible eye undoubtedly leads the atmosphere to a climax.