Review of 12th Fail: Kudos to Vikrant Massey and Vidhu Vinod Chopra for creating the most honest, brave, and self-reliant Hindi film in a long time.
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One of the most successful endings in recent memory can be found in 12th Fail. The ensemble, Sam Mohan, Anant Joshi, Medha Shankar, Vikrant Massey, and Anshuman Pushkar are the star cast.
Director: Vidhu Vinod Chopra.
What’s Good:
Vidhu Vinod Chopra's technique of making the audience an integral part of his films never ceases to amaze me. Even more fascinating is the way Vikrant Massey gives himself over to the point where you forget he's an actor playing a role.
What's Not Good:
The romantic angle detracts a little from the plot in the first half, but it makes up for it in the end with a really strong bigger proposal.
Loo Break: Look up every synonym for "no" on Google.
Should I Watch? You have to! It is always a good idea to see a film directed by a skilled storyteller that captures the spirit and commitment of those who have risen above the ashes.
Language: Hindi.
Available On: At Local Theatres!
147 minutes is the runtime.
Please rate this.
A young man from a small village in Chambal named Manoj Kumar Sharma (Vikrant) aspires to be an IPS officer. However, fate has positioned him even further outside the margin, and his persistent efforts to cross over are fruitless. After a tragic event, he flees to Delhi and trains relentlessly for the competitive exams, eventually becoming IPS Manoj Kumar Sharma!
The film, which was adapted from Anurag Pathak's book 12th Fail, was written by Chopra and Jaskunwar Kohli, with Aayush Saxena listed as an associate writer. It goes far beyond a simple biopic. Yes, the story is about a boy from Chambal who overcame his circumstances to become an IPS officer and is currently employed as one, but Chopra feels that this is a larger story and that it shouldn't be about him alone. As an alternative, he is speaking with his audience. He invites you to enter his world, which is filled with many individuals who are both fulfilling their own journeys and, in a sense, aiding his hero journey. This is the style of writing that comes from experience, and Chopra shows that he still has the spark in him despite Shikara being a very lacklustre film.
The world of 12th Fail, which can be tiresome, is that of IPS candidates. You can either tell a story with minute details or a heart-pounding, melodramatic narrative arc. The latter is accomplished by the writing team, who excitingly reshape the film. They sow the seeds of circumstances that, with a thud, may blossom minutes or hours later. For instance, you are reminded of the times the grandmother was so obstinate about that money when you see her unwilling to part with her pension funds after giving them all to Manoj and then witnessing it being stolen in the following scene. It also feels like we are rewarded when the DSP, who initially motivates Manoj to become an officer, remarks, "Cheating bhulni padegi," and the scene ends in the climax.
Unquestionably one of the most successful climax scenes in recent memory. In addition to being a celebration, it serves as a reminder of what it takes to think creatively—and that the box is nothing less than a prison. Chopra's voice is so fearless and political that you can see him naturally incorporate it into the story. 12 Failure wants to serve as a reminder that there is still a long way to go before we achieve equality and that those who were previously left behind in the advancement of society can be accepted. You can see how crucial it is that everyone understands this when a character says, "Jab hum mein se koi ek IPS banega to hum sare bhed bakriyo ko to sab ko asha milegi."
When he illustrates how teachers in small towns help students copy, how English has become a criterion for evaluating someone's credibility for high positions, how broken our educational system was, and how little has changed,
He has a strong point here. the striking disparity between how far cities have come and how the less fortunate have been left behind. With his dialogue, Chopra never holds back when revealing everything and making fun of the system. You can tell where a character is coming from when they say something like, "Are Bhai woh sarkar hain, woh kuch bhi kar sakti hain."
Yes, the last interview seems a little over the top for a film that has mostly played with understated tones, but the way it ends in a triumphant scene makes you forget about one slip-up and cry with the man who has overcome his destiny to win the world.
Review of 12th Fail Film: Outstanding Performance
Vikrant Massey anticipated that this character would have glowing remarks in his filmography. A performance that defies validation. The best thing about this story is that he truly lives up to Manoj Kumar Singh instead of trying to imitate him. After this performance, Massey should be rewarded for his acting abilities because he convincingly played both the boy seated on the interview chair at the IPS interview and the boy sitting in a hut in Chambal. Everything in between is a demonstration of flawless skill. His acting is so good that it saves the day even when his dialect falters.
Indeed, Medha Shankar is a talented actor who conveys a lot in silence. Few people are able to. She plays a very complicated role considering that she is the silent force that drives Manoj. Despite her outward appearance of fragility, this girl is actually a very intelligent, headstrong, stubborn, and determined young woman who knows what she wants. Medha portrays the role with such sincerity.
Anant Vijay Joshi is a fantastic cast member who does a fantastic job as Pandey. The actor highlights his role's helplessness in not wanting to pursue IPS.
first of all, excellently. He is undoubtedly a budding actor; I hope to see more of him in the years to come. I last saw him in Kathal. Anshuman Pushkar has the vibe of someone you want or are familiar with. He gives a character that sticks with us after the movie and does a fantastic job portraying that friend.
Review of the Film 12th Fail: Direction, Scoring
Vidhu Vinod Chopra demonstrates that an underdog story can be created without strictly adhering to the original and stereotypical approach. It is a masterwork of unadulterated filmmaking, devoid of any intricate plot, yet engrossing enough to make you cry by the end. As the director, Chopra knows exactly which button to push, which is why you get a particular feeling. The nicest thing about it is that you naturally follow him rather than feeling pressured to do so.
With the aid of his camera, DOP Rangarajan Ramabadran helps him realise a cinematic fantasy. You can see why the camera is positioned a certain way because every frame is so carefully considered. Many of the handheld shots give us the impression that we are in their presence. Use mirrors when necessary, particularly during a crucial police van scene where the camera is fixed on the rearview mirror so we can see the whole exchange. All of this combines to make watching films incredibly cathartic.
With his magnificent background score, Shantanu Moitra transports us to the time of Satyajit Ray. His use of notes from an Indian musical instrument to create a musical void at the conclusion of a dramatic scene is evocative of the work of the late, great Ravi Shankar. Since we all know where Moitra's music takes us in the world of Shoojit Sircar, more of this is definitely needed. It's time for Moitra to venture outside of that realm once more.
Review of the film 12th Fail: The Final Word
I could ramble on for hours praising a story that should be seen by everyone. Both an audience and respectful cinema for us as moviegoers are due to 12th Fail. Vikrant Massey and Vidhu Vinod Chopra have served one.